Most drummers have heard of “That Great Gretsch Sound”. Gretsch drums have been producing the most sought after tones for over 135 years. When many of us think of the classic Gretsch sound, we immediately think of the Gretsch USA Custom line. However, Gretsch has 2 other high-end offerings that are also handmade in their Ridgeland, SC factory.
Once again, we’ve put together the most comprehensive shootout video on the internet to help you decide which Gretsch kit is perfect for you!
Part One: Downbeat Configuration - 12/14/20/14x5.5
Part Two: Bop Kits - 12/14/18/14x5.5
Part Three: Rock Configuration - 12/16/22/14x6.5
Part Four: BIG Rock Configuration - 13/16/24/14x6.5
From the 1920s through the 1950s, Gretsch flagship drum set was the legendary Broadkaster Series. The thin, three-ply shell produced that original "Great Gretsch Sound". Drum Center of Portsmouth was influential in the prototyping of the Gretsch Broadkaster, when we visited the folks at Gretsch and discussed the possibility of a relaunch of the classic line.
These new classic Broadkaster shells are made with a North American maple/poplar/maple formula. Each 6.7mm shell includes an interior-ply scarf joint that adds structural integrity to the thin, musical shells. Like all USA-made Gretsch drums, shell interiors are finished with classic Gretsch Silver Sealer. The bearing edges are an exclusive reverse roundover, which allows greater surface contact with the drumhead. Toms are outfitted with Gretsch's "302" 3.0mm, double flanged steel hoops. The result is tone that is incredibly deep and warm, or "That Great Gretsch Sound."
Gretsch Brooklyn Series drums are proudly hand-crafted in their Ridgeland, SC, USA factory. This 4-piece shell pack produces a tone that is immediately recognizable, yet distinctively reinvented.
Brooklyn drums feature 6-ply North American maple/poplar shells and are slightly thicker than Gretsch's USA Custom Drums and have a 30-degree bearing edge. The inside of these shells are finished with Gretsch Silver Sealer. Each shell comes with a distinctive Brooklyn internal shell label that identifies the drum shell model number and serial number. The toms feature classic 3mm, double flanged Gretsch "302" hoops. Brooklyn delivers classic Gretsch tones that are full, punchy and warm, yet slightly more open and satisfyingly ambient. If the USA Custom line isn't quite your cup of tea, give the Brooklyn Series a shot.
For over 65 years, Gretsch USA Custom Round Badge drums have been the classic American drum sound. At the heart of "That Great Gretsch Sound" is the legendary 6-ply maple/gum shell with its expertly formed 30-degree bearing edge, the exclusive "Silver Sealer" interior finish and rugged die cast hoops. These custom drums are handmade in Ridgeland, South Carolina using the highest quality traditional finishing techniques. You simply won't find a higher quality drum than a Gretsch USA Custom.
The Verdict
“That Great Gretsch Sound” is inherent in all 3 USA-made offerings. The differences in sound are subtle across each line despite pretty big differences in shell composition. “That” sound is a woody, shell heavy and articulate tone that makes itself known and gets right out of the way. These drums are incredibly musical and sit perfectly in any mix. It’s these qualities that make Gretsch drums so desirable in a studio recording environment, as well small coffee houses and the big stage.
Drum Center of Portsmouth is your home for Gretsch Drums
Here at Drum Center of Portsmouth, we know that great Gretsch sound. Many of us own at least one Gretsch kit, and can help you identify the drum set that is perfect for YOUR needs. Give us a call at (603)319-8109 today to find the USA Gretsch Drums of your dreams!
There’s nothing quite like stealing the show with an epic drum solo!
Drum solos are a fun way to practice your skills and hone your abilities no matter how long you’ve been drumming.
Drums are often the underdogs of music, carrying the show without much solo-time. For this reason, solos can seem intimidating to some musicians. But if you’re ready to embrace the power of the drums, there are a few steps you can take to make your solo seem a lot less daunting.
So, sit high on your throne and get ready to start with a BANG—we’ve compiled our top tips for getting drum solo-ready fast.
Start with a BANG—Owning the Right Equipment
Starting with the right equipment is key to delivering an epic drum solo. Below we’ve outlined some of the must-have pieces in your kit for maximum punch.
A snare drum: The snare is essential to the main beat of your solo. Its sharp staccato sound will help you keep the main tempo while allowing for some creative freedom.
Bass drum/kick drum:Your bass drum, or kick drum, will serve as the heartbeat of your solo. It can keep you on track and prevent you from getting lost in the rhythm.
Toms: You’ll need one or more toms to mix in deeper beats.
Hi-Hat: High-hats are essential to any drum kit, as they can produce a dynamic range of sounds. They can be played softly for the gentle “chick” sound, or they can be played loudly for a heavy metal effect.
Cymbals:In addition to a hi-hat, you may want to add a few other cymbals to your drum kit, including a crash, ride, or a crash/ride.
In addition to the proper hardware, you’ll also want a comfortable throne that is the right size for your height.
With the right equipment, you will feel more confident, and in turn, more comfortable with the drums. This is essential if you want to nail your solo and become a true percussionist.
Start Slow
One of the most common rookie mistakes that drummers make is starting too fast. While it may be tempting to pound the drums with your fastest stick work, starting too strong can quickly cause you to lose time with the music and to get lost in your solo.
When many people think of a drum solo, they think of incredibly fast and loud drumming—but that’s not all that makes an epic composition. In fact, silence and tension are extremely powerful tools that expert musicians use to make their solos more interesting.
The best way to get solo-ready fast is to start slow and really make sure you’re in time with the tempo of the music. From there, you can work in rests and accents to make your composition more dynamic. If you start too quickly, you won’t be able to build up tension—one of the most important aspects of a great solo performance.
Determine What Subdivision You Want to Use
The next step to nailing a drum solo is determining the subdivision, aka finding the groove of the song.
Most jazz/blues/shuffle songs can be subdivided by 3s (triplets), while rock, pop, and funk songs can be subdivided by 2s and 4s.
Play the subdivisions on the snare to keep time with the song and maintain a steady pulse throughout your solo. Keep in mind, that up until this point, the drums have determined the rhythmic base for the song, so once the other instruments drop out, it is important you maintain that same structure so that the audience can follow along seamlessly.
Add Accents
Once you’ve established the main rhythm with your bass and snare, it’s time to work in some accents with your hi-hat, cymbals, and toms. These accents can be cycled and varied to create interesting patterns.
The toms can provide a nice deep beat, while cymbal and high hats can offer the occasion—and satisfying—crash.
Create Tension with Volume and Rests
The most common misconception about drum solos is that they have to be loud and fast the whole time. This could not be farther from the case.
Changing the volume and adding rests make the rhythmic beats more interesting and creates tension.
Think about how you can use silence to build to a climax with increasing drumming speed and volume that builds to a loud crash. Starting from silence and smoothly playing a roll are common techniques in drum solos. Skipping a beat and adding a rest in time with the music can also make it more dynamic and fun.
Avoid Getting Lost in a Drum Solo
While you want to be loose and creative with your drum solo, it’s easy to accidentally get lost in the music. Even experienced musicians can struggle with this.
To prevent getting lost in your solo, have a certain place that you know you can always go back to. For example, maybe start by playing a bar in time with the main rhythm and then 2 bars of improv.
Don’t Get Too Technical
While you don’t want to get lost in the music, you don’t want to get too technical either. Letting the music flow and finding your rhythm is one of the most important parts of unleashing a killer drum solo. Get creative with it and enjoy a little improv without being overly technical.
End with a BANG!
While there are many ways to end a drum solo, our favorite way is with a BANG. Towards the end of your solo, make sure you’re back in time with the music and end with a classic bang.
This can also be a good cue for the rest of your band members to jump back in and continue the rest of the song in regular time.
Practice Makes Perfect
Last but not least, the old saying rings true as a cymbal—practice really does make perfect. If you’re interested in performing a drum solo, draw inspiration from some of your favorite drummers and practice alone and with your friends to find tricks and patterns that work with your style.
Here at Drum Center of Portsmouth, we have the inventory you need to outfit your set for the ultimate drum solo. Not only that, but we’ve become something of a presence on the music scene because of our inventory and knowledgeable staff. Come check us out—and show us the solo you’ve been working on!
This entry was posted in Blog on February 4, 2019 by admin.
Looking to channel the legendary power of the greatest rock and roll, punk, and jazz musicians? Look no further! We’ve listed some of our favorite drummers of all time below.
Now, without further ado—drum roll please!
1. John Bonham
A true Rock and Roll Hall of Fame-er, John Bonham is considered by many as the greatest rock drummer that ever lived.
Born in Redditch, UK in 1948, Bonham (also known as Bonzo), was first recognized for his insane drumming talent as the drummer in the 1970s rock band, Led Zeppelin.
His impressive solos in songs like “When the Levees Breaks” and “Moby Dick” are still studied by musicians today and highly regarded as some of the most influential solos in modern rock history. His style is most characterized by incredibly fast bass drumming and precise rhythm. In the late 1960’s, Bonham was introduced to Ludwig drums and became a major endorser for the brand.
Bonham was also known for his extremely charismatic personality and charming spirit. His untimely death at the age of just 32 years old came as a shock to fans, and ultimately led to the end of Led Zeppelin.
Rolling Stone magazine ranked Bonham as the #1 best drummer in their list of the “100 Greatest Drummers of All Time”.
2. Neil Peart
Famously known as the drummer in the Canadian Rock Band, Rush, Neil Peart is one of the most influential drummers still alive today.
Born in 1952, Peart is said to have first gained his drumming inspiration from other hard rock drummers, including Bonham and Keith Moor. Eventually, he started to incorporate jazz elements into his drumming style, even studying under famous jazz musician Freddie Gruber. During this time he began to incorporate more swing components into his music.
In 1983 Peart became the youngest person ever inducted into the Modern Drummer Hall of Fame—one of the most prestigious honors in the field.
Peart continued performing with Rush until his retirement in December 2015. Some of the brands Peart has favored include Tama and Ludwig.
3. Keith Moon
Known as the eccentric drummer in the band, The Who, Keith Moon still receives both praise and criticism from critics today.
His style inspired the character Animal, in the Muppets—a character often seen smashing drum kits and trashing hotel rooms. His ferocity, however, translated in his drumming performance. He became famous for refusing to do drum solos and instead attempting “to play with everyone in the band at once” (John Entwistle, Rolling Stone Magazine).
A true rock-and-roller, Moon was also known for his controversial stunts and destructive personality—which some say led to his overdose at the young age of 31. Regardless, of his personal battles, his emotional and commanding drum performance with The Who has carried on his legacy as one of the greatest drummers of all time.
If you’re looking for some funk and blues inspiration, John “Jabo” Starks, is your man. Known for solo work as well as his music with Clyde Stubblefield, Jabo is a stable drummer in contemporary hip-hop and R&B records.
Together, Starks and Stubblefield became incredibly influential on hip-hop’s Golden Era. However, many still consider them incredibly underrated artists. Nevertheless, Jabo had a long and highly successful career, working with musicians like B.B. King and Bobby Bland over the years.
5.Ginger Baker
Known as a pioneer in genres like jazz fusion, world music, and heavy metal, Ginger Baker Is known as a “superstar drummer” with a style that dips into jazz and African rhythms.
Born Peter Edward Baker in 1939 in South London, Graham first made his mark in the music world as the drummer for Cream, alongside legends, Eric Clapton and Jack Bruce. The powerful trio combined jazz training with a distinct polyrhythmic style and long drum solos.
After the band’s breakup, Graham traveled to Nigeria to open a studio. His music continued to evolve during this time, and he is now praised for his deep understanding of African beats.
Earning a spot in the Rock and Roll Hall of Fame, the Modern Drummer Hall of Fame, and the Classic Drummer Hall of Fame, Graham carries on his legacy today with a variety of musical projects. He is also known to play with two bass drums instead of one, and purchased a new Ludwig drum kit in 1968.
6. Dave Grohl
From Nirvana to the Foo Fighters Dave Grohl made his mark on the 80s punk rock and grunge scene early on.
Grohl first learned how to play the drums by practicing in the Washington D.C. suburbs, beating thick marching band snare sticks on pillows. In this manner, he became an extremely powerful drummer, and he was known for his incredibly loud and relentless sound. This sound is what attracted Nirvana front-man, Kurt Cobain.
Grohl’s incredible drumming has been recognized as one of the leading features that helped Seattle grunge band, Nirvana, go from an independent band to multi-platinum success.
After the death of Kurt Cobain, Grohl continued his musical career as lead vocalist, guitarist, and songwriter for the Foo Fighters. In addition, he has played drums for many other rock and roll legends, including Queens of the Stone Age, Pearl Jam, David Bowie, Tom Pettie, Nine Inch Nails, Tenacious D, and others.
7. Al Jackson Jr.
Also known as the “human timekeeper”, Al Jackson Jr was famed for his incredible drumming ability and precision. Born November 27th, 1935, Al Jackson became a founding member of the Booker T. & the MG’s group working with Stax Records.
Al Jackson Jr was influenced early on by his father, Al Jackson Sr. who led a jazz/swing band in Memphis, TN. At the age of 5, young Jackson Jr began playing the drums, even performing on stage with his father.
Today, Jackson Jr is still highly praised as one of the most influential drummers to date. He was known to use Ludwig and Rogers drums.
All great drummers start somewhere. Think you have what it takes to channel these legends? Get all the equipment you need by browsing our inventory here at Drum Center of Portsmouth!
This entry was posted in Blog on February 4, 2019 by admin.
A cymbal crash is essential when playing the drums for different reasons. It can mark the transition into a new section of a song, be played as an accent, or marks the end of a tune. Yes, they are necessary if you want to take your playing to the next level.
With this being said, is a cymbal drum set a good investment in getting your drumming career off to a good start?
We all want the most value for our money, so what’s the best set out on the market? There isn’t a definitive answer since every drummer has a budget and plays unique music – at the end of the day, your ears will be the deciding factor! Your cymbal set needs to suit your musical tastes and fit with the rest of your drum set. But here are a few things to consider when browsing through potential cymbal box sets.
The Biggest Benefit Of Cymbals
Cymbals are an important part of a drum set. Buying as a set instead of individually is the will save you a large sum of money rather as opposed to buying everything separately.
For example, our specially-designed, and exclusive Zildjian A Sweet Cymbal Pack has a retail value of $2,200, but are available for $799.95, ultimately saving you over $1400. In this set you will get the following:
15” New Beats
18” & 20” Thin Crashes
23” Zildjian Sweet Ride Cymbal
Aside from the price value of a set, there are other reasons cymbal drum sets are a must-have. The problem you may run into when looking for a set is that there’s an overwhelming number of models to choose from.
Which ones should you start off with? Keep these key elements in mind to help you decide:
Material
You want the most value for your money which is why you need to consider quality, more specifically, the material it’s made from. Most commonly made of bronze, cymbals may also be made from brass which results as being cheaper in price. You can, however, expect all cymbals to be made up of some bronze – a combination of copper and tin.
There are two types of bronze used for cymbals: B20 and B8. With this being said you have the following three options when it comes down to your set:
Brass – used for entry-level models
B20 – 80% copper and 20% tin
B8 – 92% copper and 8% tin
Bronze comprises most cymbal alloys making it a good material to start off with. The less tin a cymbal has the more focused it will sound offering higher frequencies. A good rule of thumb is that the higher the tin to copper ratio, the pricier it will be. If you have questions about the best material for you, learn more about the types of cymbals!
Types of Cymbals
When it comes down to types of cymbals you need to consider 4 categories: hi-hat, crash, effect, and ride. You’ll notice that each has a specific role to fulfill in a modern drum set.
Crashes
typically range in sizes 14” to 18” and there is a 16” which is a good size for beginners. The sounds that crashes offer is explosive however not very long in duration. Keep in mind that the thicker the cymbal is the higher the pitch will be. Opposite to ride cymbals which hold down a steady rhythm, drummers use crashes to create defined and loud accents. You can play this type with your sticks, hands, or mallets.
Ride cymbals
range from 18” to as much as 26”. For beginners, consider a 20” or 22” as they will make a good starting point. Rides give short, distinct ping like sounds to ride sticking patterns like standard jazz patterns or eighth notes. Holding down that steady style for drummers, a ride cymbal is placed on the right side of the drummer assuming they’re right-handed.
Hi-hats
are usually sold in pairs in conjunction with bass and snare drums. The bottom cymbal is just a bit thicker than the top one. The same rule we mentioned earlier about the thickness of cymbals applies here. The lower pitch will come from the thinner one. Sizes range from 12” to 14”. Hi-hats are operated by a pedal that opens and closes them.
Effect cymbals
are a great addition to add to your set, however, they are a little on the pricier side. There are a few kinds of effect cymbals among them being Splash and China that can really add a distinct signature sound to your playing.
The smaller accent cymbal is known as splashes and range in between 6” to 13”. You will find a wide variety of splashes such as the salsa splash or bell splash.
Next are the china cymbals which resemble Chinese gongs. They typical china bell is cone-shaped and are thin. They usually range between 12” to 26” in diameter. The sound of a china bell is often described as explosive and dark.
Effect cymbals are used in non-rhythmic ways to bring forward a burst of accents. These are essential to your drum kit allowing you to create your own special playing style.
Conclusion
If you want to start off your drumming career on the right foot, we suggest you look into cymbals. You don’t have to spend a fortune especially if you’re a beginner on a tight budget. Browse through our discounted options to find something that works for you! Always remember the difference between each type – they will change your sound!
As always, we are here if you have any questions & are dedicated to helping you find the right set for you. Our 100% satisfaction guarantee combined with our return policy allows our customers to shop with confidence. Best of luck and happy playing!
This entry was posted in Blog on February 4, 2019 by admin.
Drum fills are one of the first tricks drummers want to learn when getting their first drum set. No matter the style of music that you’re into – rock, jazz, metal, funk – you can use a fill to increase the playing experience for yourself, your band, and your audience.
These short passages full the transition between parts of a song. Drummers will use them when they want to let the band and listener know a change is coming. Not only does it make the playing experience more enjoyable for everyone in the band, but it helps listeners anticipate the next section of a great tune.
So, how long should a drum fill be? This all depends on your preference. We wanted to explore drills brought forward by the legend himself Neil Peart to give you a better understanding of what they should sound like and how you can incorporate them into your playing.
If you haven’t done so already, we invite you to listen to the following fills by Neil E. Peart! Now a retired musician, Peart is remembered for his epic rock career as the primary lyricist for the rock band Rush.
Here are some iconic fills to enjoy and revisit:
1. “Tom Sawyer”
The percussion solo in this song should be mandatory listening for drummers of all ages and skill levels. There are two fills within this piece the first one being trickier than it seems. The second is the famous quadruplet with triplet fill. If you want to go straight to the drum fill fast forward to 2:35 in this tune.
2. “The Enemy Within”
If you listen closely, he is playing a lot more notes than it may seem during his drum fill within this song. It’s a bit deceptive but it just shows how you can create an illusion for your audience that gets them hyped.
3. “Between the Wheels”
The fill in this song is found at the end of the solo section and makes a great example of how Peart used precision and control. It’s a great one to practice and we’re sure you’ll have a lot of fun trying to get it down. If you don’t get it, remember it’s a challenge even for experts.
4. “Free Will”
The fill in this tune comes before the second chorus. You can really hear the control and strong feel incorporated into it. Notice how Peart takes the hi-hat to the ride cymbal. There are so many great fills in this song making it hands down one of his best!
5. “Limelight”
The fill that brings this song to an end is considered a masterpiece not only by us but many listeners. Peart combines all his best elements up to date with this breathtaking fill. If you haven’t heard it, prepare for it to be etched in your mind forever!
6. “YYZ”
There are a few fills in this tune, one of them beginning in the solo section. This is a 4-stroke riff, however, it’s a bit difficult to get the right feel for it even if you understand how to play it. Peart does an amazing job landing an “off” beat. You’ll notice in his other song, “The Digital Man” he shares many of the elements found in his “YYZ” fill.
These are all great drum fills brought forward by the legend himself. Other great tunes by him that you should listen to in your free time include “Leave That Thing Alone”, “Vital Signs”, and “The Spirit of Radio”.
How To Create A Drum Fill?
Excited about learning how to play a drum fill? With practice and dedication, you’ll get to the level you wish to reach. Always trust a few steps.
1. Start with a Rudiment
You want to begin with a rudiment which is fundamental in percussion music. Familiarize yourself with the stick pattern on the snare drum. After you’ve mastered it try playing this same rudiment on different drums.
2. Practice with a Pad Set
While you can play a fill on one drum, things get more interesting when they are played on multiple drums and cymbals. Consider purchasing a practice pad set to work on your drum fills. This helps you get comfortable with the movement and practice drum fills repeatedly without damaging your hearing.
3. Don’t Expect Great Results Right Away
Just like anything else you’re trying to learn, begin slowly. Get all the fundamentals and basics down before going into a more difficult drum fill (like Neil Peart’s). You want to practice every day – even if it’s just for a little while – to see the best results.
When To Use a Drum Fill?
There are times when a fill is appropriate. For instance, you must treat them as ad-libs since they can be played at just about any time during a tune. They contribute to songs when you’re switching from one structural element to the next. For example, just before a chorus begins you can use a loud rumble on the toms to tie both sections together.
Other great times to use a drum fill include:
When you’re playing a drum beat and want to break up the pace.
At the end of a bar or as a transition between versus and choruses.
Use a drum fill when changing time signatures halfway through a song.
To play to the best of your ability you need to learn how to successfully leave a beat and then come back to that same beat again. These ad lib characters of fills relate to both the position and contents of the tune.
Wrap Up
Learning how to play successful drum fills is essential to your playing abilities. If you need help creating unique patterns, consider getting a drum fill system. This is a step-by-step program that will teach your fills through many different music genres including jazz, rock, or metal. You’ll eventually grow out of the repetitive rudiments and be on your way to creating stunning fills.
This entry was posted in Blog on February 4, 2019 by admin.
Heads and tuning are everything when it comes down to drums. Picking the right one for your drum set makes the differences between an instrument that plays amazing tunes and one that just makes an obnoxious amount of sound.
Because your choice in drumheads is as important as your choice of drum kit, you want to pay extra attention before coming to a buying decision. The quality of heads can make or break the sound you’re going for. You can completely transform you’re playing options with the right models involved.
You probably already know the selection for drumheads is very extensive. There are so many options – coated, clear, single, double ply, thin and thick. In this guide, we will cover a question that many beginning drummers struggle with: What is the best drumhead for you?
Elements To Consider
Before we jump into the types of heads let’s touch base on a few things you need to look for. Before you decide on a model you want to keep in mind brand, thickness, and budget.
Brands – When it comes down to the manufacturer of your drumkit you want to go with a highly respected brand especially if you’re an experienced drummer. Two major manufactures are Evans and Remo.
Thickness – Why is this important? It’s all about simple physics. The thickness of a head contributes greatly to the tone. Thicker heads are also more durable, louder, less sensitive, and offer more attack. Thinner options will be less durable, quieter, more sensitive, and offer less attack.
Budget – Pricing from these models range to fit any budget. If you’re just beginning in the world of drums you may have a tighter budget than more experienced players. Keep price in mind when shopping. This will help narrow down your shopping selection. We assure you’ll be able to find a quality model at a good cost.
Having these elements in mind will help you narrow down your buying decision to the best model for you and your playing style. But you’ll still need to know a little more about the types of drumheads that are available.
Types Of Drumheads
Essentially there are 4 different types of drumheads you need to be aware of – single ply, double, ply, coated and clear ones. Then, of course, you have your specialty options which offer distinct tones and feels. At the end of the day finding the right drumhead for you is a matter of personal taste.
We hope this guide helps you decide and narrow down your shopping selection. Let’s touch on your different options:
Single Ply
The first drumhead we will touch base on is single ply options. They are the most basic and usually the thinnest type out there. They are made from a single layer of 10 mil Mylar, but you can find other thicknesses within this category like 3-mil snare side heads or 6-mil specialty tom heads. The 10 mil is most widely used among drummers.
Here are a few reasons you should go for single ply:
They will resonate better
Single plies are bright and help bring out overtones of a drum
Perfect for lighter styles of music like jazz
The only downfall you may come across with this option is their durability. Single ply drumheads don’t last as long in rock settings. Even then, many players like the sound of a single ply on their drum set.
Double Ply
Next up are double ply drumheads which are more durable than single ply options. This option offers more attack, shorter sustains, and reduces overtones. They are great options for rock and similar styles where articulation and longevity are a must. The most basic double ply heads are made from two plies of 7-mil Mylar.
Coated and Clear Heads
Now we have gotten down to the debate of this post: which is best? Both coated and clear drumheads have their advantages and downfalls.
Coated drumheads can be sprayed with different types of clothing. For instance, some are sprayed with a translucent coating while others are coated a solid white or black. Others are etched to create a more textured surface. Why the difference in coating? It’s simple – the more mass that’s added to something the more it will vibrate creating a dampening effect.
Non-coated drumheads won’t offer this same effect. Instead, they will produce brighter sounds with control and more attack. You’ll notice that even when tuned to the same pitch, coated heads will offer a warmer tone than a non-coated option.
Here are a few other ways that they differ:
Coated drumheads tend to muffle the sound a little bit while clear options offer brighter, more open sounds.
Coated options are great options for snare drums and a must if you play with brushes. You won’t be able to achieve that sandpaper sound with a clear snare head.
Coated tom heads make drums warmer than clear tom heads. However, clear models will offer more attack.
Which one is best for you comes down to personal taste, but it’s always a good idea to be informed of your options before buying. At the end of the day you don’t want to be stuck with a drumhead you don’t like.
Coated vs Clear? Up To You!
If you are a heavy hitter consider a double ply drumhead for more durability. If you are lighter with touch than you’ll get plenty of years out of a single ply model. Now, if you’re a drummer that is looking for an open and bright sound consider a clear single ply head. If you want the complete opposite then a double ply option is your best bet.
Coated vs Clear is always going to be debated, but the best choice really depends on each individual player. If you still don’t know which will be best for you, it’s best to get in your local store and test out your options. You’re already doing what you’re supposed to by researching, now try out a few choices for yourself!
This entry was posted in Blog on February 4, 2019 by admin.
The 2019 Winter NAMM report from Drum Center of Portsmouth
Momentum and Shift in the Drum World
For those of you who have not attended a NAMM show, it’s really a whirlwind. The show runs from Thursday to Sunday, and the days start early and they end late, and it’s a constant attack on the senses in regards to instruments and interactions, not to mention the food and drink. There are copious amounts of awesome and it’s over in a flash. Writing this report serves many purposes: firstly, to let you know about what we saw that’s new and notable, but also, it allows me to keep track of what actually happened.
Jeremy "T-Bone" looking uber cool, and Shane looking like Thelma from Scooby Doo
So, what happened at the NAMM show?
I like to summarize NAMM shows with quick terms.
This year, it’s “Momentum”, and “Shift”. DCP completed our first complete year in what we believe is the largest drum store in the world, and as our processes have refined, our momentum has gained. It has not been easy, and it’s not about to get any easier. But we’re feeling really strong about 2019 and beyond. Allow me to thank all of our customers for allowing us to do what we do!
The most notable thing for us is the obvious:
Drum Center of Portsmouth is the Zildjian Dealer of the Year!
L to R, Mike Gross, Craigie Zildjian, Shane and Lauren Kinney, Jerry Smith, Jeremy Charron
We were presented with the award at the show and I was absolutely gobsmacked.As we age, we’re really just older versions of the little boys and girls we once were, and the little boy inside of me is always at the forefront when it comes to drums.So to have the most respected name in our industry present this award bearingone of the most identifiable logos in the world, well, let’s just say I was speechless.One of the proudest moments in my life to date, without a doubt.
Receiving this award made me ask myself; “What brought this on? Was it a targeted effort to sell more Zildjian cymbals?”The answer is no, we didn’t.We stock their line deep, and they’ve made an incredible “shift” in their product line over the past 6-7 years that has really brought people in the door asking for it.
This award will be proudly displayed at DCP for many years to come.Many thanks to everyone at Zildjian for making this so memorable.
The Shift
The other buzz word to summarize this show is “Shift.” There’s a shift occurring in our industry and the navigation of it is difficult because of how fast it’s occurring. What I’m referring to is Electronic drums. The amount of electronic drum companies representing at NAMM was impossible not to notice. Everywhere I turned, there was a new Electronic drum set. The E-drum world for many years was comprised by two titans; Roland and Yamaha. (older generation DDRUM modules get honorable mention but they’ve been out of the picture for many years)
The majority of other electronic drum brands that you see today that are not Roland or Yamaha are made in the same factory and have a different names slapped on them.These drums all share significant weaknesses that I’ve found impossible to overlook.These weaknesses create diminished experiences all in the name of a lower price which to me is infuriating.
Roland and Yamaha have committed to making drums that will encourage the drummer to want to play, whereas the others, in my opinion have been looking to move units to a price sensitive public. Like anything, with electronic drums, you get what you pay for. Dear Mr. Wholesaler, I appreciate the need to want to sell stuff, but if a young drummer buys an electronic drum set as their first set, and it doesn’t respond as it should, this drummer is apt to lose interest and give it up. And guess what? We just lost a drummer. So these low quality sets benefit only two: the people that make them and the people that sell them.
WE MUST NOT THINK THIS WAY OR WE WILL DRIVE OUR CUSTOMERS AWAY!
DRUMMING IS A LIFE CHANGING GIFT THAT WE WANT AS MANY PEOPLE POSSIBLE TO EXPERIENCE. IT'S OUR JOB TO MAKE IT A GOOD EXPERIENCE!
But there’s a shift occurring.
The “Not-so-good” E-drums are continuing to improve. And the high end E-drum market is not unlike Mount Rushmore; what once displayed just two icons, Roland and Yamaha, will now be joined by the newer players; ATV, Pearl, and Gewa.
ATV aDrums
Featured at the booth this year was an actual acoustic looking drum set employing their trigger technology with mesh heads. From 10 paces away, you would not be able to tell it was an E-drum kit. And the ATV module is stoic, simple, and perfect. Less tinkering, more playing.
Gewa Electronic Drums
I was invited to preview a prototype e-drum set from German mega-distributor Gewa and it was a rather scary moment; I’m rather convinced this is going to be a historic watermark moment in the electronic side of our industry. While the set is still being refined, the one I tried had many of the elements we’ve wanted in an e-drum set and many more. I’m really looking forward to this one.
Pearl E-Merge has Emerged
Pearl was showing their E-merge set, which is a partnership with Korg. Korg has pioneered a technology with their wavedrum, and it’s put to use on the e-merge drum set.
I approached this set with hesitation, as I was admittedly not a fan of the E-pro drums Pearl offers. My fears were removed once I played this kit. It’s absolutely awesome. We have to wait as it’s still many months away. But wow, what a set. It feels great too.
In summary, 2019 is going to be great for the Electronic drummer.There is now more healthy competition which will bring more value and innovation to the equation.And this is needed.
So what else was new for drums at NAMM?
I’ll address the elephant in the room first; Sabian.
Sabian has done something that I’m very happy about; a new direction for AAX.Over the years, AAX has expanded several times over, each time taking the focus away.The Sabian ethos for many years has been to offer something for everyone.While this is a tremendous virtue, it also is a detriment as the paradox of choice slows down the selection process.
This year, AAX has been trimmed down and re-worked.To me, for the everyday drummer looking for versatility, the centerpiece of Sabian should be AAX, and the centerpiece of AAX has been the AAX-plosion crashes.
If you want a darker, lower pitched, penetrating crash cymbal with clean overtones, this is the one. It’s a great rock cymbal, and a staple at DCP. The bloated catalog of offerings created a crippling amount of choices, in which customers would inevitably ask; “What’s the difference between AAX Studio, AAX Stage, AAX Metal, AAX Dark, and AAX Omni?”
My not so expert advice would typically be in the form of a question.
“Do you like this AAX-plosion? You do? Ok good. You should buy that one then.”
Sometimes, this worked. Others, well, you can’t win ‘em all.
As drummers, we owe a HUGE debt to Sabian for bringing countless innovations, options, and top tier craftsmanship to us.
Now, it’s going to get much easier to pick all purpose cymbals; the new AAX has been re-worked with new weights and sounds, targeted to the drummer who has been stricken with analysis paralysis. There’s not a dud in the bunch, and I truly believe these to be among the best in class for professional, all purpose cymbals.
Is there a "But".... Coming?
The philosophy at Drum Center of Portsmouth from day 1 has always been “Sound first.”In short, the sound and performance of the musical instrument is what matters to us.Not the price, not the popularity, not the marketing hype.
We sell musical instruments for you to express yourself creatively on.I was disappointed that these awesome new AAX cymbals were not even mentioned in what was the most discussed topic at the show; the “re-branding” of Sabian.
Sabian decided that they needed a new logo. Gradually, the entire line will be emblazoned with this new logo. If the target in the short term was to draw attention to the brand, then the mission was accomplished. Everyone was certainly talking about it.
Logo-Gate, The New Coke, Slaybian, Call it what you will
The public has spoken as well.The response I’ve received and the responses I've witnessed on this logo has been overwhelmingly negative.
The Sound Remains The Same
As Sabian re-brands, please remember this; they will continue to manufacture what I believe to be some of the greatest cymbals in the world. I do not want to see you NOT buy a cymbal because you don't care for the logo.
Sabian Logo Removal Service at Drum Center of Portsmouth
As the new logo starts to trickle in to our stock, we will offer a free Sabian logo removing service to those who want it removed.We make our suggestions based on sound, and if you don’t care for the logo, we’ll be happy to remove it for you.
Ok, let's move on.
While on the topic of cymbals, we’ll talk about the other brands too!
Paiste
2019 is the 30th anniversary of the most groundbreaking cymbal innovation in my opinion; the Signature series.Only Paiste can make Paiste cymbals, and what a sound they have.The Sigs were designed for recording situations.Eq’d and optimized for the unflappable scrutiny of expensive microphones, the crystalline frequencies of the fast, full, and mellow crashes found their way onto recordings of some of our favorite recorded music.The power crashes and heavy full crashes soon found their way on to the stages as well.
As a retailer, one of the most fun things I get to continue to do is to show people Paiste Signature Series cymbals.Many drummers have not been exposed to Paiste, or they haven’t spent much time with them.I’ve had many occasions where I’d show someone one Signature series crash, and they would buy a whole set of them.
We live in a world where quiet, low pitched cymbals are popular with drummers, but speak to any recording engineer that’s trying to mix a track with multiple guitars, bass and vocals; and they will be happy to tell you that they prefer instruments that carve out their space in limited headroom. 30 years later, the Signature Series is the cymbal for that job.
Paiste re-introduced bigger Fast models, and the Mellow crashes are back too. The often requested 15” Dark Energy hats are also back, along with the 22” Full ride. The Paiste 2002 series has expanded with the extreme crashes. The goal here is to have a cymbal that is in between 2002 and Rude. And that’s EXACTLY what it is. A great crash that will take some abuse, for sure. And it’s LOUD. Something else worth mentioning is that it really sounds unlike any 2002 I’ve heard, and I like that.
Zildjian
Zildjian introduced the K Sweets last year and they’ve been a smash. The line has been rounded out with the new hats, and the Cluster Crashes. The FX stacks are my favorite effect from NAMM 2019.
Meinl
For 2019, Meinl has introduced the Byzance Foundry Reserve cymbals, which is a more than welcomed addition to the line. They have dipped their toes in the cymbals geared for the jazz drummer, but these cymbals are all in.I had a chance to play them and I have to say that they sound exactly like what you’d want; a beautiful sounding jazz cymbal for the drummer looking to buy Meinl.
Also for 2019,there are a few additions to the tk Classic Customs Dark line which has been a powerhouse to the value minded harder hitters; the new effects cymbals and 16” hats are welcome additions.
Dream
A few additions to the Dark Matter line. I loved what I tried. More info on that later.
Ok, how about some drum musings? Let’s go.
Tama Drums at NAMM 2019
Tama has discontinued the Birch/Bubinga line. This was a result of new regulations that have restricted the importing of certain hardwoods, bubinga being one of them. The Star Bubinga will remain, but Birch/Bubinga, and Starclassic Bubinga have been discontinued. Something important to note is that Tama WILL manufacture add ons for these lines for a little while. They will all be built to order with a 5 month delivery time. If you want an add on, get a hold of us, and we can get it ordered for you.
Replacing the B/B line is the Walnut/Birch line, and they are awesome. To me, the B/B drums had a great attack but I wasn’t in love with the lack of roundness. These W/B drums provide that lower fundamental note with enhanced bottom, with the crispy attack of birch. And they are priced VERY aggressively. It’s obvious that Tama has examined the market and responded to the needs.
The new Dyna-Sync bass drum pedal was a nice surprise, as was the Ronald Bruner, Jr snare drum. Other than the breathtaking tk pic of Star Bubinga set, my choice is the Tama Superstar Neo-Mod drum set. With compact sizes reducing the depth, and not the diameter, the drums are geared for the drummer in quieter environments, or smaller stages. And they are priced well too.
Yamaha Drums
Yamaha abruptly ended the Live Custom line last year, and it’s been replaced with Live Hybrid Oak. The standouts on this kit are that they have re-introduced phenolic to their offerings, something they did with the Rock Tour Customs from the 80’s and 90’s, and they’ve incorporated a weight system in the bass drum that brings out more bottom end. I for one cannot wait to try this in the DCP environment. And they look beautiful too.
Also added is a new bass drum pedal that is bringing sexy back in a big way.Yamaha hardware has been about functionality for many years, but the FP-9 has that, AND the estethic appeal too.Wow.
Pearl Drums
Pearl found a winner with the “studio” recipe shell in the Masterworks line. I personally have spoken at length to Shannon Forrest and Todd Sucherman about this, both of them insist that these are the best sounding Pearl drums they’ve played. Pearl wanted to bring this to the drummer that wasn’t looking to spend Masterworks money, so the limited Masters Maple/Gum series has arrived. We’ll be doing some videos on these for sure. And there were several Masterworks snare drums on display that we bought. Watch this space for details.
Sonor
The new Jojo Perfect Balance Standard pedal was nice, and the new Prolite finishes were gorgeous.
Mapex
The Black Panther design lab drums were on display. I have to hand it to Mapex for pushing the envelope in drum design and innovation. I’m looking forward to getting these in and spending some time with them.
Gretsch
Red Gumwood kit was gorgeous. We have one coming. New Catalina Birch kits sounded AWESOME and they are a great price too.
DW
I stopped by the DW factory just before NAMM to hear John Good talk about the new Almond drum set. I also got to play it, and I’ll tell, it’s VERY, VERY special. I’ve not heard such pronounced highs AND lows from a drum shell. It’s truly a different sound. I fear that only a few of these will be made, as it’s just too difficult to make shells from this material.
A&F
Boundaries pushed. New A&F’er snare drums are absolutely awesome, and the kits too. I’m so amazed how these drums emulate older, vintage drums, but they have a new sound, that hints at an old sound. (did I just bend your brain there?)
We have a ton of the booth coming to us, watch this space for details!
British Drum Company
I was lucky enough to spend the night before NAMM with my friends from the BDC. We’ve had a successful first full year with them, and during that time, I was able to visit their factory and see how they make their drum shells, (which is absolutely mind boggling btw) and during that time, they themselves have gained momentum and have worked out some cracking new snare drums to their line; the Aviator, The Archer, and The tk
Do not just glance and quickly look away at these drums.Look closely.The attention to detail is unmatched, and they possess an elegance and charm often missed in our world.And what a passionate, focused group these guys are.I’m excited for these new drums to hit.
The legacy mahogany limited kits also were absolute head turners. Things are REALLY firing over at Ludwig.
Dunnett/George Way
Dunnett Classic Snare Drums are a high water mark for any drummer’s collection. The new B8 2N is something I’m ecstatic about, and there were other glorious one-off’s that we cannot wait to get our hands on. The other big surprise was the return of the original George Way turret lug. (This is the original lug that went to Camco, and has become the DW lug as we know it)
This lug is more true to the original, and it looked incredible in person.Bravo!
Schagerl Drums
I brought Schagerl snare drums into DCP after Todd Sucherman told me it was the finest metal snare he’d played.That’s quite the testimonial.Upon their arrival, and subsequent departure, I have to say that these are without doubt, some of the finest snare drums I’ve experienced.There’s a price tag associated with this quality, and it’s worth it.
We have a bunch of this NAMM booth coming in, and these will be priced with out the import tax and shipping fee from Austria, so there’s an opportunity to lower your cost here.
WFLIII
A regret of mine is not being able to visit Bill Ludwig at the WFLIII drums booth. Why? He was too busy! They were boasting a full booth with good looking drums, and I’d dare say the busiest boutique booth at the show.
Canopus
Several new one of a kind snare drums were discussed, and we’ve got them coming!
Hendrix Drums
Hendrix Snare drums continue to be a favorite at DCP. And they are focused on improving what they are doing, and they constantly do. There’s a new stave maple snare drum that is incredibly low priced, that sounds amazing. And we have those coming in.
RBH Drums
We picked a couple of gorgeous pieces up that I’m eager to get my hands on.
Trick Drums
Trick continues to drive innovation. And they represent what a beautiful family run American small business is. Hard work, dedication, and creativity are never missing, and we just love the new pedals! The VMT kits get honorable mention with the new color options too.
Rogers Drums USA
Rogers is creeping back into the picture, and some gorgeous Dyna-Sonic snare drums are coming in. Some new hardware was also shown that was an obvious nod to the originals, with some modern fittings. A prototype set was also shown with some blasphemous spurs and brackets, which I'm told will thankfully not be a part of the production model, whenever that may be.
Wrapping Up
I could go on and on and on, and I have. I’m sure I missed something obvious here, so please accept any apologies for overlooking something.It’s not intentional.This flight is getting close to landing, and my wife and I have 2 kitties to get home to who are looking for some attention, and I have a very full year planned for us and you.
2019 is going to be the 10th anniversary of DCP and we’ve got some things cooking that you’ve never experienced at a drum store. Trust me on this. It’s big. REALLY big. I’m so excited for this year and I think you will be blown away with what we have planned.
I constantly am thinking about how we can bring more value to you, our extended family of customers, and in 2018, we expanded our video production department to bring you higher quality, more in depth videos, and the response has been overwhelming. We're working to make it easier (and entertaining) to select your drum gear.
Year 10 will have even more levels of awesome, and I can’t wait to get started on it.
Well, I suppose I already have.
Again, we simply could NOT do this if you don’t buy from us. So thank you for spending your drum money with us.
If you’re reading this, and you're not a customer, tell us what we can do to establish a mutually beneficial relationship. Your growth is our growth, and we can save you money by making professional suggestions.
Can I say thank you again?Ok, I just did.
Thank you.
Again.
#year10
Enjoy our full Winter NAMM 2019 photo gallery HERE!
Ludwig Drums are celebrating 110 years in 2019. When many people think of a Ludwig USA Drum Set they think of the Classic Maple line, or perhaps the Legacy Maple line. Not many people are aware that Ludwig manufactures 5 distinct, high-end lines right here in the USA.
Our latest in-depth video shootout features all 5 Ludwig USA drum set lines head to head in order to help you find YOUR ideal Ludwig sound! For the most informative comparison possible, we ordered each kit in the same configuration and even the same Black Oyster Pearl finish! 10x8, 12x9, 14x14, 16x6, 22x14 and 14x6.5 snare drum. The only variations in size were in the rack toms for the Club Date (an inch shallower), and the kick drum depth for the Keystone X (2 inches deeper).
The Ludwig Club Date features full-bodied tone, soft attack, and amplified presence. Its thin, maple/poplar shell sports rounded bearing edges that gives you more tone from the shell itself. The light-weight design offers a more budget accessible Vintage-Classic option. This series is re-imagined with the highly sought after flat imperial lug.
We love the bang you get for your buck with this line. Tons of vibe, plenty of tone, and the bass drum has SERIOUS thump.
Preferred by professionals for its tonal versatility, Classic Maple drums are the ideal choice for pretty much any application. Its high sensitivity, wide dynamic tuning range, and sharp attack make it the ideal choice for live performance. The 7-ply maple shells and 45 degree edges yield plenty of high and mid-range frequencies, with just enough low end thud.
This is Ludwig's bread and butter line of USA made drums, and the most highly recommended from us at Drum Center of Portsmouth.
The Keystone X is all about fusing Classic Maple tone with added projection for modern rock applications. To achieve this, Ludwig added American Red Oak to its maple shell and gave it dual 45 degree edges. Keystone Series is made under the same strict quality and structural standards as all Classic Maple and Legacy drums. A perfect balance between high-volume cut and subtle articulation is achieved for the live music drummer, putting a modern twist on a century of custom American drum making.
The most affordable Ludwig USA Drum Set line in our comparison, it's hard to argue with the value of the Keystone X.
That sound from the 1970's! The Legacy Maple is Ludwig's flagship professional drum line. Vintage drums from Ludwig's Golden Era are treasured for tonal purity in recording environments. Legacy Maple is a decidedly modern twist on that vintage shell formula. The thin Maple/Poplar/Maple shell construction with maple re-rings have rounded 30 degree edges. This allows for maximum contact with the drum head. The result is gorgeous, buttery maple tone with a more balanced delivery.
The Ludwig USA Legacy Maple line proved to be a winner for a few of us here at Drum Center of Portsmouth. Not as much volume or tuning range as the Classic Maples, but when they are dialed in the tone is to die for!
Ludwig's newest offering is also their most classic. The most sought afterdrum tone returns, and an American Legend is reborn. The Ludwig Legacy Mahogany series is a return of the shell that was the core of Ludwig drums for over 50 years. Handcrafted in Monroe, NC, the 3-ply Mahogany/Poplar/Mahogany shell with solid 1" thick maple reinforcement rings utilizes a process refined through a century of drum manufacturing. The result is a tone with rich sonic warmth that only Ludwig can produce. Ludwig Legacy Mahogany is the quietest of the group, but also packs the most dark, low end rumble.
Our Verdict
This was by far our most rewarding comparison of high-end drums to date. Each Ludwig line has its own completely unique voice. Want versatility? Grab yourself some Classic Maples. If you want vintage tone without the unpredictability that comes with vintage drums check out Legacy Mahogany or Legacy Maple. Need to project clean volume? Keystone X is the ideal modern rock sound. Club Date is a solid choice for the gigging drummer looking for optimal vintage tone without breaking the bank.
Ludwig Drums is the number one brand at Drum Center of Portsmouth. We carry more Ludwig Drum Sets and Snare Drums than anyone. If you are looking for your dream Ludwig USA drum set, talk to the Ludwig pros at Drum Center of Portsmouth!
DW Collectors Series Drum Sets offer so many different shell configurations, it can be a little confusing. Not only do you have a ton of finish and size options, you can also choose your shell material. This is where things can really seem daunting. What's the difference between an SSC Maple shell and a Maple/Spruce shell? What the heck does Cherry even sound like? Don't Worry! Drum Center of Portsmouth has got your back. We demo 5 variations of DW Collectors Series Drum Sets in our latest comparison video.
Tonality. Thump. Resonant. These words best articulate our opinion of this DW Collectors SSC Maple 5pc Drum Set in elegantly understated Satin Natural Oil finish. These thin shells with re-rings are the classic DW sound. Punchy and well rounded, SSC shells give you a tremendous amount of versatility.
Going into this comparison, we weren't sure what to expect from the Collectors Cherry/Spruce kit. We've heard a few Cherry kits in the past, which shared many birch-like qualities. The addition of Spruce warms up the tone with a little extra low end, giving this Collectors Series recipe a truly unique voice.
The sustain and projection of maple, married with the warmer quality of mahogany is fast becoming a favorite with studio and touring artists alike. This versatile wood combo comprised of mostly maple, with a mahogany inner and outer ply, is excellent for a wide variety of musical applications. This gorgeous Pale Blue Oyster FinishPly wrap gives off a vintage aesthetic, but the tone projects a more modern vibe. It gives you the versatile tone of maple, with a little extra emphasis on the low end.
Punchy, warm, round tone is delivered in spades from this DW Collectors Maple/Spruce Drum Set in Natural Hard Satin. The differences between this kit and a Pure Maple Collectors kit are relatively subtle, until you listen to them side by side. The tone is decidedly Maple, but with a more leveled EQ sound. It gives you every frequency in equal doses, which may just be your ideal drum sound!
The last DW Collectors Series Hybrid shell kit we tested was this magnificent Cherry/Mahogany in Exotic Spalted Maple veneer. This drum set was the most eye-catching, and its tone was by far the most unique. The tone can be compared to birch on steroids. Massive thump with a rich, buttery low end tone projects with epic volume. We'll just go ahead and say it, this was our favorite. Believe the hype on this one!
Drum Center of Portsmouth is your home for DW Collectors Series Drums
No matter what sound you're looking for in a drum set, DW has it. Drum Center of Portsmouth has more DW kits in stock than most, and if we don't have it we'll help you dial in on the perfect custom order. Check out our website for an amazing selection of DW Collectors Series Drums, or call us at (603)319-8109 with any DW questions you may have!
Drumming is lots of fun and it can look so easy. After all, you’re just hitting things with sticks, right? Expert drummers make it look like a cake walk. TV and movies make it seem as though you just need to “feel the music in your heart” for it to translate into an amazing song. What they don’t show is the thousands of hours of hard work and practice that goes into it. There’s no way around it, either. All the greats had to start to start somewhere. What made them great was their patience, dedication, and determination.
If music is a universal phenomenon, then drums are the universal instrument. Their sound resonates with people all over the world. Almost every culture feature drums in their music. Anyone can play them, regardless of race, sex, creed, religion, nationality, or ability. It just takes practice. But sometimes, it can seem like all that practice is a waste of time when you aren’t improving as quickly as you think you should. In times like these, it is perseverance that will make you great.
If you find yourself in need of a little inspiration, check out these tips from a few expert drummers. At one point or another, they’ve all been right where you are now.
On Practice and Lessons
You’ve heard it a thousand times: practice makes perfect. You know you need to practice. It can be easy to feel as though once you’ve practiced a certain number of times, you’ll be skilled enough to not need to keep doing so. And lessons can sometimes seem like such a drag. How many more times is the teacher going to make you play the rudiments??
However, it is important to realize no one ever outgrows the need for practice. No drummer ever reaches the point where they have nothing left to learn. Just read what these expert drummers have to say about lessons and practice!
Author, drummer, and producer Rich Redmond says it best when he says “getting good at anything” requires practice. And you want to practice over and over and over again. His advice? “Take lessons and learn from anyone and everyone.”
The Paper Jackets drummer Mike Di Guglielmo is direct in his advice. He says simply, “Learn the 40 rudiments.” You want to do this early in your drumming career. And most importantly, you can never stop practicing! Di Guglielmo says these rudiments aren’t just essential, they will amplify your own creativity beyond “playing beats and fills.”
Harry Smith, lead drummer of June Bug, agrees with Di Guglielmo, saying simply you can never outgrow or be “too good” at playing the rudiments.
On Goals and Motivation
When you get bogged down with practice or discouraged by a setback, one of the best things you can do is to spend some time remembering your goals. Think back to the things that motivated you in the first place. Goals and motivations change over time and that is perfectly alright. However, it is important to have them. Having goals also gives you a sense of direction and accomplishment to guide you through your lifelong study of percussion. Motivations will drive you to accomplish them. Here’s why the pros have to say about the importance of goals and motivation.
Keith Sorensen, teacher and professional music, says that if you practice without set goals, you might as well play “basketball without a hoop.”
Jeff Page of Alice Cooperland says simply that drumming has to be your “passion.” Even those seemingly simple lessons can become an “intense learning experience.” Most of all, Page recommends that novice drummers “watch ALL drummers.” It’s the best way to absorb everything you see.
Professional percussion instructor Jyn Yates has similar advice: “Never give up.” It doesn’t matter what other people say about your skills or that being different will hold you back. If you love it, then just remember to “smile and have fun”! That’s really what music is about when it comes down to it.
Other General Pieces of Advice
Aside from specific tips and inspiring quotes, most expert drummers offer these same pieces of general advice:
Find a Teacher You Admire
We touched earlier on the importance of lessons, practice, and life-long learning. A key part of this is finding yourself the right teacher. Ideally, this should be someone you admire and, more importantly, respect. You can learn something from everyone. But, a teacher whom you respect will motivate you to be the best you can be. If you respect them, you’ll want to emulate them. You’ll work hard to make them proud.
Keep an Open Mind
Don’t restrict yourself to certain types of music or styles of playing. Instead, strive to become a well-rounded drummer. Do your best to learn as much as you can from wherever and whomever you can. You might find enjoyment and inspiration in unexpected places.
Stay Humble
This doesn’t just mean to be humble in your dealings with others. In fact, it is most important to be humble with yourself. Don’t let yourself think that you’ve completely and totally mastered something and cannot improve upon it. No matter how basic it may seem, you can still learn. Even the most experienced drummer who has been practicing for decades can learn new lessons from the rudiments.
Love What You Do
Practicing can seem like a chore sometimes. This is true no matter how much you love drumming. But you’re more likely to stick with it and get the most out of each practice if you genuinely love what you’re doing. You’ll always need to practice, so you might as well enjoy it. Remember, it is much more about the journey than the destination.
Learn How to Read Music
This one might seem like a no-brainer, but you really cannot be the drummer you want to be without knowing how to read music. It might seem a little intimidating at first, but as with everything else, practice makes perfect. Once you learn to read music, you’ll be able to communicate with other musicians in no time. You’ll be speaking their language.
This entry was posted in Blog on January 3, 2019 by admin.
From the 1920s through the 1950s, Gretsch flagship drum set was the legendary Broadkaster Series. The thin, three-ply shell produced that original "Great Gretsch Sound". Drum Center of Portsmouth was influential in the prototyping of the Gretsch Broadkaster, when we visited the folks at Gretsch and discussed the possibility of a relaunch of the classic line.
Jeremy "T-Bone" looking uber cool, and Shane looking like Thelma from Scooby Doo
L to R, Mike Gross, Craigie Zildjian, Shane and Lauren Kinney, Jerry Smith, Jeremy Charron
